Mr. Wiley is back with the same style, different subject. Some may have said “Okay, his portraits are epic and novel in the treatment of their subject matter and decorative background, but where does he go from here?” (I said this, I wasn’t sure how he could move on or what his next step would be w/o being redundant.) Well, it was one of those obvious ones, instead of doing classic portraits of men taken off the streets of Harlem, do them of men from around the world, such as the political hotbed of Israel and Palestine. Good, but still men and too similar. Boom. He goes back to the streets of nyc but flips the script and changes the subject matter to the female. The ladies get their due, their well deserved due. Enter, “An Economy of Grace,” his latest show at Sean Kelly Gallery in New York.